Girl Trouble | News Archive News,The Indian Express


Written by Pallavi Pundir

Published: March 30, 2013 3:02:35 am

Girl Talk

Kate Nash

Have 10p Records/Fontana

$7.99 on Amazon

Rating: HHHHn

Sure,our tastes are defiantly stranded within the feminine pop-rock bracket of western music — Florence and the Machine,Regina Spektor and Fiona Apple amongst others. The music is defiant and vocals extraordinaire.

And British musician Kate Nash was an apparent darling. We had been uncovered,in our teenagers,to her writhing vocals and feminist riot woman ethos in her first two albums — Made of Bricks (2007) and My Best Friend is You (2010). The very first thing that strikes an ardent lover of Nash’s pop shenanigans is how her newest album Girl Talk is radically completely different from the others.

Nash’s fame goes again to 2005 when she broke out on and her first album was an enormous industrial hit 12 months. Girl Talk,regardless of not being Nash’s signature,is that sudden thrill. The very first tune Part Heart units the temper for the entire album. The musician is in a darkish place right here– private and intimate,gradual but regular,geared up with heavy bass,wondrously rock and clipped lyrics clearly a couple of breakup (An element coronary heart resides/ An element coronary heart is useless/ And the a part of my coronary heart/You used to like,it fled).

Fri-end is a playful twist,nearly waking one up from the slumber the primary tune had. Sister goes again to the darkish facet initially,however then nearly instantly jumps to a bipolar excessive,rife together with her throaty voice. OMYGOD! is an analogous flux,from gradual and regular to danceable chord development,a refreshing piece in a line-up of in any other case gray shades. Labyrinth is an excellent one on this gray space with an Alfred Hitchcock background score-ish tune to start with,ominous chimes and single drum beats,simply progressing with succinct lyrics and low-key vocals.

All Talk sounds indignant with a repetitive Action,motion,motion/ Words are solely in my mouth,an apt mnemonic to her feminist outbursts. Rap for Rejection,alternatively,is precisely what it says — it’s a rap,on the problems of sexism.

It’s disappointing how little thought has gone into the lyrics (You’re making an attempt to inform me sexism doesn’t exist?/ If it doesn’t,then what the **** is that this?),however the banality is made up for by grungy electrical guitar and a monotonous but husky vocals,which fits easily with hipster beats.

Pieces comparable to You’re So Cool,I’m so Freaky and Lullaby for an Insomniac are uncommon examples of an unfussy Nash,the place devices are subsequent to nothing and her candy voice looms.

While the previous is nearly anthematic with refrain,the latter has no devices,and he or she appears like she’s merely singing an insomniac self to sleep. The last quantity Death Proof is an unforgettable one,as a result of the storage rock quantity is all noir and haze,and harps again to the Quentin Tarantino’s 2007 movie of the identical title a couple of psychopathic killer. The album calls for a couple of pay attention,rightly so.

Listen to her if the defiance of Taylor Swift and Miley Cyrus feels viscerally frivolous.

Her feminist banter may get an excessive amount of,however she has grown up,regardless that it’s a moderately melancholic-goth type of progress.

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